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Memory
Machines |
December
6 - 22 Main Gallery Opening Reception First Thursday, December 6, 6-10pm Memory Machines | Alicia Eggert (Portland) Installation |
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Memory
Machines is an installation based on the visual incarnation of the
process of thought and our minds attempt at capturing and holding these
thoughts and memories. Using post-it notes as a physical holder of these
thoughts, Alicia has constructed an installation of little yellow birds
(two post-it notes stuck together) fluttering above and around three birdcages
that represent the three areas of the brain (fore, mid and hindbrain)
and their functions. Alicia’s voice streams out of the birdcages; each
cage reciting the written text on the post it notes. One cage with detailed
thoughts, dreams and memories, one cage with random facts and information
and the other with bodily functions that the brain controls without conscious
thought or action. Memory Machines began as an absurd attempt by the artist to capture all of the information housed within the electrically activated hunk of raw meat that is her brain. Over the course of a year and a half, she documented her thoughts, ideas, feelings, dreams and memories on thousands of small yellow Post-it notes. These notes are now an incarnation of the artist’s subconscious, little yellow birds that form a flock of thought and soar high above the cages that wish to contain them. |
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| Alicia
Eggert was born in New Jersey and spent 4 years of her early
childhood living in Cape Town, South Africa, where her parents were missionaries
during the apartheid. She earned a bachelors degree in Interior Design
from Drexel University in Philadelphia, and is currently pursuing an MFA
in Sculpture/Dimensional Studies from the New York State College of Ceramics
at Alfred University. She moved to Portland in 2005, where she formed
a contemporary art organization that produces interdisciplinary public
art events, known as Kitchen
Sink PDX. Her work is inspired by the habits and objects found within
everyday life. Left: All My Clothes, Valentine's Cafe, 2006 |